July 2025
Written by
Abbie Mason
E-commerce
Marketing strategy
Product launch
Tech
F*** Me It’s Good: Why Jeremy Clarkson’s Banned Beer Ad Was a Genius Marketing Move
Jeremy Clarkson didn’t just make a beer ad—he built a perfectly executed marketing trap.
It opens with 34 British farmers performing a reworked operatic chorus in a rural chapel. The final note? “F*** me, it’s good.” Clarkson enters, pint in hand, and casually adds: “It is f***ing good.”
The result? Immediate regulatory backlash. The UK’s Advertising Standards Authority (ASA) banned the ad for breaching guidelines on language and alcohol marketing. But by that point, it had already clocked over 500,000 views in less than 24 hours on Hawkstone’s Instagram.
No airtime. No spend. Just a well-timed, well-calculated detour into the irresistible world of “banned content”.
Why Being Banned Now Works
We’re naturally wired to want what we can’t have. And in Clarkson’s case, that instinct was weaponised to perfection.
When the ASA pulled the ad from TV and radio, it sparked widespread media coverage. The Independent broke the story first, followed by Farmers Guardian, Doncaster Free Press, LADbible, and The Sun, all reporting on the ban—and linking directly to the very content regulators wanted removed.
In 2025, being banned by the ASA has become a PR badge of honour. Clarkson didn’t lose airtime. He gained headlines. People didn’t click to learn about the lager—they clicked to see what was so offensive it couldn’t be shown.
Spoiler: it wasn’t the beer. It was the honesty.
Jeremy Clarkson Knew This Wasn’t Just an Ad. It Was a Strategy.
Clarkson knows exactly how to trigger a media loop. His entire brand is built on saying the unsayable—and turning controversy into attention.
Let’s break it down:
Real farmers, real setting = authenticity.
Operatic staging = parody.
Explicit final line = guaranteed ban.
Social-first release = no broadcaster needed.
The entire thing was designed to be unacceptable by traditional standards—so that it would flourish on social and in the press. It’s a textbook case of the Streisand Effect, where trying to suppress content only amplifies its visibility.
And because Clarkson released it on Hawkstone’s own platforms first, it was already in circulation before any regulator could intervene.
Why It Lands So Well
This wasn’t a random stunt—it aligned perfectly with the product, the message, and the man behind it.
Clarkson’s reputation as an anti-establishment figure makes this kind of language feel on-brand, not performative.
Hawkstone Lager is brewed using barley from his own farm, as seen on Clarkson’s Farm—a show that’s built a massive, loyal audience on Amazon Prime.
The farmers in the ad are the actual suppliers. There’s no glossy fiction here.
It’s what makes the swear work. It doesn’t feel cheap. It feels true.
What Brands Can Learn
This wasn’t a mistake. It was a masterclass in leveraging rejection to earn attention.
Here’s the playbook:
Build something bold enough to trigger pushback.
Time the release to give social a head start.
Let regulators or press drive discovery.
Let curiosity and media interest carry the rest.
This only works if you know your audience, and if the tone is earned. Clarkson doesn’t just say “f***ing good” for shock value—he says it as someone who’s grown the crop, brewed the product, and backed it with his name. It’s credible. That’s the difference.
Final Word
Clarkson’s Hawkstone ad didn’t aim for compliance. It aimed for conversation—and it got it. In an age where content is everywhere, the most powerful trigger for engagement might still be the simplest one: “You’re not supposed to watch this.” It’s what made people click. It’s what made the press run. And it’s what made a banned ad outperform anything that might’ve played quietly at half-time. Because when the rules say no, strategy says: now we’ve got their attention.